Creative editing
Avid Media Composer, Adobe Premiere Pro, and DaVinci Resolve for feature film, documentary, television, and short-form work.
Berlin - Remote - Feature film - Documentary - Television
Tiptoe Films
Editing and post-production by Daniel Scheimberg, a Berlin-based film editor with 25+ years of experience across feature film, documentary, television, and teaching.
Latest from the cutting room
Daniel has launched Berlin Footnote.
Berlin Footnote is a bilingual audio-guide and podcast project where walkable urban history meets counter-culture, archival oddities, and experimental narration. Each transmission turns a Berlin neighborhood into a researched sound walk, combining interactive maps, narration, music, and live events within the same cinematic practice of rhythm, structure, and atmosphere.
Feature film
Currently in post with Paul Florian Müller's Clatter & Hum.
A road movie about a classical voice teacher in New York and her estranged father, an avant-garde sound artist. After years of silence, they cross the United States gathering field recordings for what may be his final composition.
Post-production with creative judgement and technical know-how.
From first assembly to delivery, Tiptoe Films covers the practical work and the narrative decisions that keep productions moving.
Post-production support
Dailies, assistant editing, sync, sub-clipping, conform prep, secure remote collaboration, and delivery-minded organization.
Finishing & formats
Pre-grading, exports, subtitles, DCP/Blu-ray/DVD experience, and mastering for web, broadcast, or cinema.
Biography
From Denver to Berlin, from cutting rooms to classrooms.
Daniel Scheimberg's editing work moves between politically charged cinema, streaming comedy, large-scale Babelsberg productions, and idiosyncratic independent features: from Christian Frosch's Von jetzt an kein zurück, a tense West German coming-of-age and reformatory drama, to Kai Wiesinger's Amazon series Der Lack ist ab, where domestic midlife friction is cut into compact comic episodes. His early features include Lovesongs for Scumbags, an offbeat, darkly comic indie film, and Lunik, a hotel tragicomedy about utopian dropouts and entrepreneurial collision. Before and between those projects, assistant editing work on Babelsberg productions such as The Reader, Pandorum, and Hanna sharpened his command of larger international productions.
He also teaches post-production and editing at SRH Berlin University of Applied Sciences, with recent courses expanding into generative AI for image and video.
Contact
Available for editing, post-production support, and remote collaboration.
daniel@tiptoefilms.com
Berlin-Charlottenburg